Middle Voice in Kurmanji and Zazaki

İbrahim Bingöl1, Ümran Altınkılıç1
1Mardin Artuklu University, Mardin, Türkiye
Published: 27/04/2026
: İbrahim Bingöl, Ümran Altınkılıç. Middle Voice in Kurmanji and Zazaki. Cultura Científica, 2026 Issue 24. pg. 190-197.

Abstract

Traditional descriptions of voice in Kurmanji and Zazaki often foreground an active–passive opposition, and some Zazaki-oriented descriptive traditions additionally claim that Zazaki has two passive types: a canonical passive formed with the auxiliary ameyene ‘come’ plus an infinitive, and a second “suffixal/added” passive. Building on a structural diagnostic—the optional licensing of an overt agent phrase—this article argues that the alleged second passive is not passive at all but an event-centered middle construction: it can be semantically passive-like yet systematically resists agent-phrase insertion. We show that true passives are parallel in Kurmanji and Zazaki (hatin/ameyene + infinitive) and that the “extra passive” arises when dialectally constrained datasets (especially Southern/Çermug Zazaki, where ameyene-passives are reported to be rare) conflate passives with middles. In contrast, Northern Varto Zazaki patterns closely with Kurmanji, favoring the auxiliary-passive strategy. Finally, we argue that middle alternations are constrained by verb class: only a subset of ambitransitives behaves as labile/ergative predicates that readily form middles, whereas highly general transitives such as kerdene ‘do’ resist the middle alternation but passivize straightforwardly. Using parallel Kurmanji–Zazaki paradigms, the paper provides a compact toolkit for separating passive from middle and offers a dialect-sensitive reanalysis of Todd [1] and Pamukçu [2].

Keywords: Zazaki, Kurmanji, middle voice, passive voice, ergativity, agent phrase

Resumen

Traditional descriptions of voice in Kurmanji and Zazaki often foreground an active–passive opposition, and some Zazaki-oriented descriptive traditions additionally claim that Zazaki has two passive types: a canonical passive formed with the auxiliary ameyene ‘come’ plus an infinitive, and a second “suffixal/added” passive. Building on a structural diagnostic—the optional licensing of an overt agent phrase—this article argues that the alleged second passive is not passive at all but an event-centered middle construction: it can be semantically passive-like yet systematically resists agent-phrase insertion. We show that true passives are parallel in Kurmanji and Zazaki (hatin/ameyene + infinitive) and that the “extra passive” arises when dialectally constrained datasets (especially Southern/Çermug Zazaki, where ameyene-passives are reported to be rare) conflate passives with middles. In contrast, Northern Varto Zazaki patterns closely with Kurmanji, favoring the auxiliary-passive strategy. Finally, we argue that middle alternations are constrained by verb class: only a subset of ambitransitives behaves as labile/ergative predicates that readily form middles, whereas highly general transitives such as kerdene ‘do’ resist the middle alternation but passivize straightforwardly. Using parallel Kurmanji–Zazaki paradigms, the paper provides a compact toolkit for separating passive from middle and offers a dialect-sensitive reanalysis of Todd [1] and Pamukçu [2].

Palabras clave: Zazaki, Kurmanji, middle voice, passive voice, ergativity, agent phrase
İbrahim Bingöl
Mardin Artuklu University, Mardin, Türkiye
Ümran Altınkılıç
Mardin Artuklu University, Mardin, Türkiye

How to cite:

İbrahim Bingöl, Ümran Altınkılıç. Middle Voice in Kurmanji and Zazaki. Cultura Científica, 2026 Issue 24. pg. 190-197.

Publication History

Copyright © 2026, İbrahim Bingöl, Ümran Altınkılıç. Published by Cultura Científica. This article is published as open access under the Creative Commons Attribution 4.0 International (CC BY 4.0) license (http://creativecommons.org/licenses/by/4.0/).

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